The Reykjavík Arts Festival and the Future of the Biennial
The flute septet, viibra, formed in 2016 for Björk’s Utopia. Courtesy the Reykjavík Arts Festival Art historian and curator Paco Barragán makes a compelling argument that biennials negotiate a set of contradictions: “It is at once local and global, political and aesthetic, critical and institutional, temporary and perennial. Its success, however, comes at the cost … Read more